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Seventy-eight years of night work
From a borrowed lantern room to a repertory of six. The short version is below; the long version is on the discs.
| 1926 | The lantern is electrified and immediately unpopular; keepers prefer the smell of the oil. |
| 1934 | The great fog. Gullwrack keeps its light for nineteen consecutive nights. |
| 1948 | Vivien Aldercott borrows the de-lamped lantern room for one reading of 'The Drowned Bell'. |
| 1950 | The council notices. A lease is signed on the back of a tide table. |
| 1952 | The Lighthouse Letters begins. The first letter is real; the archive will not say whose. |
| 1957 | The pips are installed, salvaged from a scrapped destroyer's clock. |
| 1961 | Studio B opens in the old oil store. The kettle clause enters the constitution. |
| 1968 | The Midnight Exchange starts the fog-district noir cycle. |
| 1971 | First Nights begins. The pile that night held four scripts; the pile has never been shorter. |
| 1974 | The stair is threatened with replacement. Four hundred letters and one goat arrive. Both stay. |
| 1977 | Signal Fires is written in nine nights during a gale. |
| 1983 | The Understudy's War adapts the Aldercott papers. |
| 1989 | Marguerite Ozan becomes the voice of the pips. |
| 1994 | Wire & Wool proves 3 watts is enough for comedy. |
| 1999 | The stream debate begins. It has run every year since. |
| 2001 | Tomas Reyes arrives from the Harbour Relay and lowers everything by 3 dB. |
| 2011 | The vault's 40,000th disc is a recording of the kettle. |
| 2019 | The fog signal is restored to working order. It is used, sparingly, for drama only. |
| 2024 | The digitisation bench opens. The queue has not shortened since. |
| 2026 | Six series in repertory, 42,000 discs, one stair, no stream. |
The founder
Vivien Aldercott (1911–1990) was a producer who believed three things: that drama belongs after dark, that corrections should be appended and never edited, and that a kettle is infrastructure. The Nightjar constitution is two pages, half of which is her handwriting.
People tell the truth to a radio at night.
Her papers, adapted for The Understudy's War, are held in the vault under catalogue number A-1.